The Sound of Music Live!
Posted: January 6, 2014 Filed under: Movie, Musical, Spotlight on TV | Tags: audramcdonald, carrieunderwood, christianborle, laurabenanti, live, maria, musical, nbc, review, soundofmusic, stephenmoyer, thehillsarealive, thesoundofmusiclive, vontrapp 2 CommentsAmidst my Christmas holiday week of movie watching (American Hustle, Casablanca, City Island, and Frozen a second time), I managed to find the time to finally sit down and view The Sound of Music Live! I have since been debating whether or not to post about it. I feel like everyone and their mother have already put their two cents in, particularly in the theatre community, and it was quite the mix of feelings. It seemed like this musical broadcast became either a personal affront to viewers or a personal accomplishment. There was a lot of hate and a lot of preaching back to that hate. My Facebook news feed blew up the way it does when there’s a big football game on, and I end up having no idea what anyone’s status means. But I figure things have died down a bit, and I suppose it can’t hurt to throw a couple more pennies into the mix, right?
Let’s start with the good, shall we? There was some lovely singing, smooth camera work, and solid nun talent. Vampire Bill – I mean, Stephen Moyer? He did a pretty decent job! That kid playing Kurt? Great. He was in it. Audra? Clearly. Do we even need to talk about her? Everyone already knows she’s a goddess. It was a pleasure to have real theatre folks involved like Christian Borle as Max. There’s an extra comfort level in watching stage actors do what they do best, especially those who already have TV experience.
But let’s be serious, I’m mostly writing this review so I can brag about Laura Benanti. I love her, love her, love her, and I’m so glad people are finally starting to take notice of her abilities. I was never drawn to Elsa growing up. I didn’t understand the character, but now she’s clear to me. Laura brings a naturalism to the role, to live filming, to song, to everything. And thank god we had her for some laughs.
Of course there were weak links, but I honestly don’t want to dig into them too much. I don’t know what was up with the costumes. Some of the kids were hard to watch. The mountain set was awkward, although the scene changes were smooth and well done.
Listen, I know you’re all waiting for me to rip into Carrie, but I don’t really want to do that. The critics have been cruel enough. I’ll just say this: I feel bad that she and the people who represent her thought this was a good idea. She’s talented and clearly can sing, but she is simply not an actress. This doesn’t make her untalented; it just makes her not an actress. There isn’t an acting instinct in her bones. I was frankly very uncomfortable watching her speak any dialogue. I also feel bad that they yanked all of the “Southerness” out of her. This at least gives her character and flavor. True, Maria shouldn’t be a Southern belle, but without it, she came across as vanilla and bland. I understand that Carrie was cast to draw in viewers. Hopefully next time they’ll find a name that can better carry a show.
All that said I’m thrilled they took on this endeavor. It’s a wonderful chance for people who don’t live in a big theatre city to get to see a musical on screen. To this day, musicals still don’t get a lot of respect. People consider them merely fluffy or lame; they’re all flash and spectacle and couldn’t possibly affect audiences the way plays can. The fact that NBC is going to do another live musical due to the ratings The Sound of Music got is fantastic as far as I’m concerned. Folks associating musical theatre with high ratings? I don’t know about you, but as a musical theatre fan through and through, I’ll take that any day.
The Sound of Music Live!
Directed by Rob Ashford and Beth McCarthy-Miller
Aired live on NBC on December 5, 2013
Photo Credit: Will Hart
Pictured: Stephen Moyer and Laura Benanti
First Date
Posted: December 4, 2013 Filed under: Broadway, Comedy, Musical | Tags: bailout, bff, chuck, firstdate, musical, review, tangled, zacharylevi Leave a commentI had hoped I wouldn’t come out of this show echoing all of the other critics, but unfortunately there’s not much new to share. We have a musical here packed with one-dimensional characters. Everyone is the ultimate stereotype: the bad boy, nagging sister, player best friend, super gay bff, the list goes on. No character ever digs below the surface, and when the writers try to do so with the leads, it only comes off as lame and ineffective.
What my companions and I were left wondering was: does the actual idea work? Can you make an entire show based on the premise of a first date? Yes, it’s funny. People easily relate; they can look at the characters up on stage and think, “Ohh yes, I’ve been there.” With the classic highlights of the introduction, small talk banter, no-no’s of first dates, awkward pauses, picking up the check, etc., there is a lot to poke fun at, but is there enough meat to make a full musical? Perhaps if there were more vignettes of multiple couples, rather than just one date, you could find more to work with. I’m not sure, but as it stands, First Date is 90-minutes of mostly filler.
The banter is light, packed with easy jokes. My theatre pal, Matt Franzetti, called it sitcom writing, and I couldn’t agree more. Now, let me stress that I love me some quality sitcoms, but I don’t go to the theatre for that. This musical could be a 22-minute sitcom with the main storyline being the horrors of a first date, but since these characters are so over-the-top and archetypal, there’s no way to connect to them as an audience. They seem fake, so when the topics try to steer their way to real connection, I didn’t go along for the ride.
I tried. I did! There are a handful of genuinely funny moments, but the rest are forced and uncomfortable. For example, there’s the gay BFF bail-out call. It’s a somewhat funny gag; yes, girls often have a friend call just in case they want to get out of a date. But then he sings the same song THREE times. They take a gag that’s not all that great to begin with and then beat it into the ground.
As for the stars, First Date features Zachary Levi and Krysta Rodriguez. We first heard Levi’s pipes in Tangled, and he is a king of landing awkward humor (see: Chuck). He’s just the right combination of awkward and charming to make even the lamest dialogue endearing. But it gets old quick. True, he keeps landing the jokes, but let’s give the guy some variety please. Also, I’m so over the standard stereotypes of guy meets girl: the uptight, tripping-over-his-words guy and the punk-rock, hard-shell girl who deep down is vulnerable and looking for love. And Rodriguez, whom I usually like, is just reciting her lines. It doesn’t feel organic, but can you blame her with some of the stuff she has to say?
It’s hard to be so harsh, but between that book, the primarily forgettable score, and the marketing, I just can’t get on board with this show. First Date will definitely be my last.
First Date
Written by Austin Winsberg, Alan Zachary, and Michael Weiner, Directed by Bill Berry
Longacre Theatre through January 5th
Photo Credit: Chris Owyoung
Pictured: Zachary Levi and Krysta Rodriguez


