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It is my absolute pleasure to introduce you to the one, the only – Becca Doodle.

Smile Option 1    Meh Option 1     Frown Option 1

 

 

 

 

Becca Doodle will be making appearances with my review posts from now on to give you a quick look as to how I feel about a show.

Designed and drawn by me with the most innovative of technology (ahem, Paint), Becca Doodle will help guide you as you make upcoming Broadway ticket-purchasing decisions. As you likely can gather, there’s happy Becca Doodle, sad Becca Doodle, and meh/somewhere-in-the-middle Becca Doodle (shout-out credit to Allie for the shrugging arms idea). This is really advanced stuff, I know, but go with me on this journey, and be sure to keep your eyes peeled for Becca Doodle’s future theatrical adventures!


Kneehigh’s Tristan & Yseult

Tristan & Yseult

You can always count on Kneehigh Theatre for a whimsical treat for the soul.

When I first heard St. Ann’s was presenting the theatre company Kneehigh’s production of Tristan & Yseult, I jumped at the opportunity to go. Plus I got to see it with Shannon, one of my favorite people, who was visiting from Chicago last week (to launch Brontosaurus Haircut Productions!). Kneehigh’s style is right up our alley so we were eager to drink in the performance. I’m sorry to say that the run ended on Sunday night, so unfortunately I can’t recommend that you go see it (slash I’ll keep this brief). But here’s the trailer to give you a taste.

One of the reasons I’m drawn to Kneehigh is their seamless threading of storytelling with dance, music, and physicality. It’s consistently innovative, exciting, and unexpected. I got to see Brief Encounter at Roundabout Theatre Company in 2010, and while I don’t recall specifics (except the swinging on chandeliers), I definitely remember how it made me feel. I remember being awed, thrilled, and challenged by the acrobatics, ideas, and designs. It was simply beautiful (here’s the clip reel).

Their newest production is the story of Tristan and Yseult, your classic case of star-crossed lovers. We are greeted by a group of self-declared “Lovespotters,” who also introduce themselves as the unloved in this world. They are all dressed in uniform track jackets, hoods up, carrying around notepads and binoculars as they search for signs of love (this ensemble also doubles as the characters of the main story). I loved the unloved. They were like the minions in “Despicable Me” – working in unison, saying random things, singing and stomping around, and called names like Steve and Kenneth. They’ve also been known to croon sappy love songs and modern pop songs with the kick-ass band at the Club of the Unloved.

Even though I can’t recommend this particular play, I can tell you to keep your eye out for Kneehigh shows. We went on a journey of love, heartbreak, song, and dance as these characters sailed on ships, battled, and flew in the air. The storytelling is quirky and light until you realize just how heavy-hearted things can be.

Kneehigh’s Tristan & Yseult
Written by Carl Grose and Anna Maria Murphy, Adapted and Directed by Emma Rice
St. Ann’s Warehouse, Closed December 14, 2014
Photo Credit: Sara Krulwich
Pictured: Dominic Marsh and Hannah Vassallo