Ruthie Ann Miles won the Tony Award for Featured Actress in a Musical for her moving performance as Lady Thiang in The King and I. When I saw the show back in July, her ballad “Something Wonderful,” a song that used to be just a beautiful melody to me, suddenly became clear. It’s romantic, heart-breaking, and gives meaning and dimension to an otherwise unknown backstory as Lady Thiang bares all in this vulnerable number.
Click here to see Ruthie’s “In Performance” with the New York Times.
Photo Credit: Paul Kolnik
Pictured: Ruthie Ann Miles
Oh hey there, friends. That was quite the unexpected hiatus, but I’m back! How was everyone’s summer? …and fall apparently. (Winter is coming). ((I don’t even watch that show)). Want a quick recap of where I’ve been?! Thought so!
My brother got married! How beautiful is this?
I had an 80s murder mystery birthday party and got to murder my friend Neil. It was quite the evening.
In July, I went to the 25th Annual Spelling Bee Reunion Concert, and it was as delightful as you’d expect it to be.
I saw a whole bunch of shows, many of which have since closed (sorryyyy): 10 Out of 12 at Soho Rep, The Wild Party and A New Brain at Encores, Cymbeline at Shakespeare in the Park, John at Signature. But I also saw things that are still running like The King and I, Fuerza Bruta, and Spring Awakening so we can get back to those at a later date.
I went to my friend’s wedding in the Bahamas and made another music video in honor of the occasion!
I visited my good pals in Chicago and my brother up in Boston.
I took my first improv class ever this summer, and it has been hilarious and terrifying all at once.
I went to a friend’s wedding in upstate New York — noticing a trend? One more in November will wrap up 2015 for me. Look at the pretty bridal shower!
And I just had a full weekend of shows which I will be posting about soon, I promise.
ALSO. I’m going to be introducing a rating system this week for the theatre I see. Stay tuned for some brilliant drawings by yours truly.
Until next time!
Can I get an AMEN?! What a wonderful thing to celebrate the success of Fun Home last night (and all the other winners and nominees and non-nominees). It was a fun evening of surprises right and left (all four Actor/Actress in a Musical categories went the opposite way of the predictions).
Before I dive into my high/lowlights of the evening including links to all the performances, a brief word about yesterday morning. If you haven’t heard, I attended the Tony Dress Rehearsal with Miss Jenn Haltman, and it was a grand ol’ time. The best moment for me may have been stepping into Radio City and seeing the iconic Tony set on the stage. It was pretty surreal. The dress rehearsal is as you might expect – they run through the entire evening, all the performances, all the banter, presenters, even fake winners and acceptance speeches. There’s a set of ten or so actors who “play” the nominees, sit in their seats, and one goes up to deliver a thank-you speech after each award is announced. It’s actually quite entertaining. You also get to see how the sausage is made, like how the cameras work and how the crane reaches over the audience. It was a super cool morning, but now, onto the real thing.
- Let’s begin with the best of the best: Sydney. Effin. Lucas. Is there really anything else to discuss? This was the performance of the evening. The folks at Fun Home made the (very) smart decision to highlight one song and one performer (with cameos by Tony nominee Beth Malone and now two-time Tony winner Michael Cerveris) to represent their show, a decision I fully support. And to have Joel and Jennifer Grey introduce the number made it all the more apropos. This song stands for so much in the musical theatre genre, and the fact that an 11-year-old is delivering it makes it all the more impressive. I could talk about it for ages, but I’ll let the song speak for itself. Here’s Tony nominee Sydney Lucas singing “Ring of Keys” from Fun Home. Also, a mini-anecdote from director Sam Gold in the press room after winning his Tony, talking about directing Sydney in that song: “The day that I was first going to stage that song with Sydney in rehearsal, I was really nervous…What was I going to say to her? She was nine at the time. I started to ask her, ‘Do you understand what this song is about? What can we talk about?’ And she was like, ‘I got this.’ She had it already. She understood everything about it. She’s a very mature actor and didn’t need to be treated like a kid. I treated her [from] that moment forward like all of the adults.”
- Something Rotten also gave a great performance. Since there was no real opening number (missing you, NPH), Rotten ended up serving as the big opening of the night, presenting the Act One show-stopper “A Musical” featuring Tony nominees Brian D’Arcy James and Brad Oscar. It’s funny, right?
- Let’s focus now on the lady power happening last night. I did a lap around my living room every time a woman won. Firstly, yay lady director Marianne Elliott for Curious Incident. Second, representation in all the design categories: Catherine Zuber for The King and I Costume Design, Bunny Christie for Curious Scenic Design, and Natasha Katz for American Lighting Design. And then! Lisa Kron and Jeanine Tesori for Best Book and Score for Fun Home. They made history by being the first all-female writing team to win for a musical. What should be on the lowlights is the fact that these wins happened during commercials. Considered “Creative Arts Awards” – and deemed not worthy to be aired with the rest of the program – book, score, choreography, and designer awards all happen off-screen with only five-second snippets of their speeches shown later. So here I share their fantastic and important speeches: Lisa Kron for Best Book and Jeanine Tesori/Lisa Kron for Best Score.
- Let’s hear it for Ruthie Ann Miles as Lady Thiang. This category seemed like a shoe-in for one of the Fun Home ladies. I haven’t seen The King and I yet (going in July), but I’m still so excited for her and her adorable speech. And how nice to squeeze in a little bit of diversity on that stage (wow, I just looked it up: she is the second Asian actress ever to win a Tony).
- While we’re on the topic of The King and I, let us all bow down to the wonder that is Kelli O’Hara. Congrats on winning your first Tony after six nominations. Yes, standing ovation! And that speech!! And have you seen the quick change video going around right now? Amazing offstage choreography. Kelli, I hope you’re still shuffling off to Buffalo filled with joy.
- I want to do a couple of shout-outs to my other favorite actor wins. Alex Sharp is so wonderfully earnest. Annaleigh Ashford I’ve been rooting for since I first saw her in Legally Blonde in 2007. And Michael Cerveris for Fun Home! A frazzled Tony speech but a terrific performance as Bruce Bechdel.
- Best presenters of the night were Larry David and Jason Alexander. How Larry David manages to ride that line of hilarious yet offensive is quite the feat.
- Although I am not a supporter of the medley performance (more on that below), I think On the Town, An American in Paris, and The King and I were solid performances, showing off their stars and choreography.
- I said it before and I’ll say it again, It Shoulda Been You drives me nuts. From David Hyde Pierce’s intro with a fan letter to the jokes to the song itself, I can’t do it. But let’s give well-deserved credit to the talent that is Lisa Howard and the sound that she produces. I just wish I liked the song.
- I can’t really speak too much of Gigi because I have not seen it (nor do I intend to quite honestly), but it doesn’t do anything for me. Here’s Vanessa Hudgens performing “The Night They Invented Champagne.”
- As Jenn said about Finding Neverland while we watched the performance yesterday morning, “Everything is happening onstage, and nothing is happening onstage.” Yes, Matthew Morrison can still sing underneath that beard of his, but this number was literally smoke and mirrors to distract from the fact that so little is actually going on. Here’s “Stronger” featuring Morrison and Kelsey Grammer. Also? That intro.
- I would never speak badly of Chita Rivera; she’s Broadway royalty. But The Visit, or as I’m now calling it, “The Visit – What Is It?”…I just had no idea what to make of that performance. And sadly I’m not the only one – they just posted the closing notice this afternoon.
- Although the memoriam was touching and featured a record amount of performers in a Tony number (not to mention actually being aired on the live show as opposed to last year), the speed of that slideshow left something to be desired. It didn’t need to be rushed! Why not start it at the top of the song (with the right notes ideally) instead of featuring Josh Groban for one minute and twenty seconds?
- Let’s talk about the E.T. bit. While funny and unexpected, let’s read the room, shall we? Wait to send Kristin out in that ridiculous costume until the audience has stopped reeling from Sydney’s performance. The music had barely faded out when she wobbled out, unfortunately reducing the moment that had just occurred.
- The Jersey Boys finale was a little bit of a letdown after some of the great closing bits we’ve had over the last couple years.
- As I mentioned above, any award happening during the commercials is a lowlight.
- And now, a mini-rant on medleys. Have you heard this before from me? Medleys are so rarely a good idea in my book. I totally understand that you want to show as much of your production’s range and stars as possible. I get that one number doesn’t fully represent what your musical is, but what a medley tends to do instead is get all…jumbly. It gets messy because too much is being squeezed into a few minutes. So for example, On the Twentieth Century, which I very much enjoyed the other week (review to come), comes off looking all over the place. There were technically FOUR songs covered in those few minutes. People don’t know what to come away with after seeing that. Why not just do the last song in the medley? I know we don’t get to see Peter Gallagher or the adorable tapping porters, but we’ll get to see Kristin sing her heart out and we’ll enjoy one full song. It’s a bummer Tony winner Christian Borle didn’t get to perform in the Something Rotten number, but guess what? It was still great, and now people get a sense of what that show will be. Why not just do “Shall We Dance?” from The King and I or one dance with the two leads in American in Paris? Haven’t we learned yet that medleys don’t do a show justice?
Alright, let’s not dwell too much on the negative (like no love for Hand to God). Things like this exist now! Not all of the shows can be recognized, and there will always be a lot of BS that gets in the way of celebrating the arts, but Fun Home taking home the big wins last night is a huge accomplishment. So let’s bask in that while we can. One more time, here’s a link to all of the performances. Go see a Broadway show!
Oh yeah, one more thing. Bring back Sound Design.
Well hello, old friends. Sorry to disappear on you for so long there. As most of you probably know, I’ve been practically living in Gowanus, Brooklyn the past two weeks putting up our production of Summertime. Despite a tumultuous chain of events, I think we made a beautiful play, and I’m so proud of it and everyone involved. Here is a peek at some production photos to give you a little taste. And to stay up-to-date on our future projects, you can subscribe to our mailing list here.
But now down to business. It is prime Tony season, and I am BEHIND! I gotta stop producing shows in May! Here is what’s topping my list right now of what I need to see, ideally before Tony Night on June 7th.
- Fun Home – Missing the run at the Public was my big regret of the 2013 season, but I found solace knowing it would likely come to Broadway. And yet I STILL haven’t made my way over there so this is definitely a top priority.
- An American in Paris – I should’ve snagged preview tickets on TDF when I had the chance. Now it’s a huge hit and a main contender for Best Musical this year. I’m buying tickets for this later today to catch it next Wednesday.
- Airline Highway – I never miss a Julie White show. I’m also buying tickets for this today to go next Saturday.
- On the Twentieth Century – I’m seeing this next Thursday with Jenn! It’s going to be a busy week!
- The King and I – Sadly I won’t get to this in time for the awards, but I did snag tickets for mid-July with the roomie.
There are others of course (The Visit, Skylight, etc.), but they’ll have to fall to the wayside for the time being.
So – are you ready for Tony night? Excited for Alan and Kristin? Which performance are you most excited to see? What do you think will take home Best Musical?
Written by Charles L. Mee, Directed by Jenn Haltman
Gowanus Loft, May 7 – 17
Photo Credit: Craig Hanson Photography
Pictured: Spencer Aste, Josh Doucette, and Becca Schneider