I’d like to start sharing a “Video of the Week.” Now admittedly, I’m not sure how consistent this will be, but if there’s a video that I’ve played on repeat, you can be sure to find it here for your own personal viewing. This could be anything from a Broadway performer I love to a song that I think you should hear to a moving performance of any sort.
I give you a beautiful song called “Do You Remember?” to kick things off. Although I’ve linked to it in an earlier post, I’m now going to dedicate a little more attention. It’s written by Pasek & Paul (A Christmas Story), the guys I told you about in my Dogfight post, and it’s performed by the glory that is Gavin Creel (Thoroughly Modern Millie, Hair). Based on the stories of Peter Pan, this video is from a concert of Pasek & Paul songs back in 2008. The lyrics are gorgeous, the melody kills me, and Gavin’s performance is mesmerizing. It’s a lesson in vocal control, and his storytelling is beautiful. It’s like he has a secret to share the entire time.
So I know I’m beyond behind on my reviews, but I figure we should take a moment to discuss Sunday night’s Tony Awards. Did you watch? DVR it for later? I got comfortable in my pajamas and sat back to enjoy an evening of theatre. Here’s a brief look at my take on some of the highs and lows of the evening.
HIGHLIGHTS
Jessie Mueller! Carole King! A wonderful performance and a much-deserved win for Miss Mueller as Best Leading Actress in a Musical. I haven’t even seen the show, and I love her! I do admit that I was also deeply rooting for Kelli O’Hara as it was her fifth nomination and she certainly deserves it after all these years. Perhaps next year for The King and I? Nonetheless, Jessie has been taking the theatre community by storm ever since On a Clear Day You Can See Forever. I’m stoked for her and can’t wait to see Beautiful.
Three words: Idina. Effin. Menzel. Well, let me back up. First there was Jonathan Groff’s brilliant introduction, and then the house was subsequently brought down with her If/Then 11 o’clock number. And yet, people haven’t been talking about it! I did not see my Facebook or Twitter feed freaking out afterward. Weren’t you watching, theatre fans? Honestly, in my eyes, this may have been the performance of the evening.
Also, let’s rejoice for Best Musical A Gentleman’s Guide to Love and Murder – a fantastic performance and an even more hilarious introduction by Jefferson Mays. Let’s hear it for the underdog of the season actually getting its due with its multiple wins.
I also want to give a shout-out to Sutton for always being glorious.
And that Hedwig performance?? Yes! I’m so excited to see it in a few weeks!
And perhaps the ultimate highlight of the evening: Audra. Tears. Will Swenson. Tears. Standing ovation. More tears. Making history in two ways. For those of you who don’t know the momentousness of Audra’s win on Sunday for Lady Day at Emerson’s Bar andGrill, she is now the winner of the most Tony awards. She had five, tying with Angela Lansbury and Julie Harris, and now she has a whopping six, on top of the fact that she is now the only person who has won in all four performance categories! Audra McDonald = Queen of Broadway. Can she host next year?
LOWLIGHTS
Clint Eastwood and whatever that presenting was supposed to be.
The opening? I’m sorry, I just wasn’t into it. I do like how so many shows had cameos, and the awkward elevator ride with NPH was delightful, and I understand that they likely didn’t bother with a “traditional” opening number because it could never compete with last year’s. But seriously – Hugh Jackman just bouncing the whole time? Yes, I know it refers to something specific, but we’re really going to take an obscure reference and make it the centerpiece of a four-minute opening number? C’mon Tony writers, you can do better than that. You want more people to tune in? Don’t lose them in the first few minutes!
Sting, I’m bored.
Aladdin’s Friend Like Me was like watching a seizure on stage. And listen, if the funniest part of the song is when the Genie stops to sing from different Disney movies, then I think there’s an inherent problem with the show. People out there who want to spend money on Aladdin? I’m just saying – that’s the best you’re gonna get. They played their best hand on Sunday, so if you didn’t enjoy that number, you might want to reconsider your options.
I thought ROCKY was a musical. Also? Shortest fight ever.
This has been a common rant on Facebook and everywhere else so I won’t digress too long, but I will say I too am tired of the out-of-place Hollywood actors presenting. I love you Tina Fey, but why are you up there and not a Broadway vet? It’s all to improve ratings and get viewers, right? Well, ratings were lower this year. Maybe they should focus more on the theatre community and what we do best and feature more performances from the current season instead of a Music Man rap with LL Cool J and T.I.? Sure, The Bridges of Madison County closed, but couldn’t we get a song with Steven and Kelli? Anyway, more on that and the recent Tony Award Administration Committee ruling in a later post.
All in all, it was a relatively smooth evening without too many hitches, and we got to see some great numbers (go here to watch the rest of the performances). Here’s to another season of theatre!
First, let me say: please excuse my absence these past couple of weeks. I have shows to share with you and drafts piling up, but we are very much closing in on the opening of The Understudy. Hence, my brain capacity is at its max. So allow me to stray from a typical review for the moment to simply say hello and share a few tidbits.
Hello!
Have you seen the Annie trailer yet? There’s this one with song and dance and another one I saw in theatres that pretends it’s not a musical at all. You gotta admit – that’s smart marketing to get some other folks in the seats. What are your thoughts on the cast? Mainly Cameron Diaz and Electro? I’m trying not to have any pre-conceived notions. It’s coming out this Christmas along with Into the Woods. Much to discuss. We’ll check back in about the latter though once there’s a real trailer released.
Tony nominations were announced on April 29th, which means we are quickly approaching one of my favorite days of the year (aka Tony night). What did you think of the nominations? Any snubs that really bothered you? Poor Daniel Radcliffe; that’s three snubs for him now. I was particularly excited that Outside Mullingar got recognized, and all of the Twelfth Night nominations made me quite happy. I’m eager to see what happens with some of those intense competition categories.
I’m seeing Hedwig and the Angry Inch on July 1st! Just a heads-up: it is POPULAR, and it’s only going to get crazier once it starts collecting Tony Awards on June 8th. So if you have any interest in seeing it and/or NPH, get your tickets now. When Matt and I went to the box office last week to buy ours, they were already sold out through the end of June.
Here are the reviews that will be coming your way soon: Murder for Two, Mothers and Sons, A Gentleman’s Guide to Love and Murder, and perhaps another Spotlight on TV!
And lastly, a brief moment of self-promotion if I may: The Understudy is one week away! Performances are at The Secret Theatre from Wed, May 28 through Sun, June 1. It was officially announced on Theatremania today! Get your tickets here, and enter the code KAFKA by this Friday at midnight for discounted tickets. I’m so excited about this production and incredibly proud of everything we have accomplished in such a short time. I love this play, and I think you will, too. Hope to see you there.
The Understudy Written by Theresa Rebeck, Directed by Jenn Haltman
The Secret Theatre, May 28 – June 1 Photo Credit: Jeff Schneider Photography Pictured: Brian Byus and Becca Schneider
It’s the day of the show, y’all. So finally, perhaps my all-time favorite…the performance I watched so many times that the VHS tape broke. The same year as Millie, we had Urinetown: The Musical featuring Hunter Foster in all his glory.